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The Golden Age of Venetian Painting 14751576 / ​Giorgione and the collectors

The century between the advent of Antonello da Messina in 1475 and the death of Titian in 1576 is considered the Golden Age of Venetian painting. What had been a minor regional school achieved international prominence and influenced the future of European art in general for centuries. Central to this achievement was the genius of a succession of painters from Giovanni Bellini and his brother Gentile, Carpaccio, Giorgione, to the great Titian and his younger contemporaries Tintoretto and Veronese. These painters worked in a city undergoing crisis and change: the decline of its maritime empire, the reduction of its monopoly of trade with the East, its near destruction as a state in the early sixteenth century, and the religious turmoil engendered by the Reformation and the reaction of the Roman Church to it. Governed by an oligarchy of merchant nobles who elected a Doge, Venice remained politically stable throughout this turbulent period and continued to flourish economically. The state, the lay confraternities (called scuole) and private individuals provided sufficient patronage and support for a brilliant school of painting to develop in both secular and religious art. The cultural context and history of this school will be studied in eight lectures, followed by a full-day visit to the National Gallery to consider first-hand its outstanding collection of Venetian renaissance paintings.


Giorgione has been associated with the birth of secular (portraits aside) painting in Venice. He painted for a restricted circle of sophisticated patrons in the city. These included the great collector, Gabriele Vendramin, who commissioned from him the 'Tempest' now in the Accademia Gallery in Venice. Like so many of his pictures, this remains fundamentally mysterious in its subject matter and was clearly made for the delectation of a small circle of connoisseurs. Despite his tragic early death in 1510 and small output, his perceived influence on Venetian art was enormous and his enduring enigmatic status continues to intrigue art historians.


Speaker(s):

Dr Michael Douglas-Scott | talks

 

Date and Time:

30 October 2014 at 10:45 am

Duration:

Half Day

 

Venue:

The University Women's Club
2 Audley Square
London
W1K 1DB


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Organised by:

THE COURSE
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Tickets:

£46

Available from:

info@thecoursestudies.co.uk

Additional Information:

visit www.thecoursestudies.co.uk

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