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This is a chance to examine the range of Titian's work, alongside that of contemporaries such as Bellini, Giorgione and Tintoretto
The Italian Renaissance of the 15th century may have been centred in Florence, but at the beginning of the 16th century the city state of Venice emerged as a dominant location for artistic innovation. It was here that the full technical possibilities of oil paint were explored in a school of art where colour and light could be evoked through expressive, gestural techniques new to western art. Through a long career Titian emerged as the most prominent Venetian painter, with a style that could encompass traditional religious subjects but also classical narratives, lush nudes and lively, communicative portraits. This is a chance to examine the range of his work, alongside that of contemporaries such as Bellini, Giorgione and Tintoretto, and also to discuss the startlingly innovative style that characterises his controversial late work.
Speaker(s): |
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Date and Time: |
9 December 2012 at 11:00 am |
Duration: | Half Day |
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Venue: |
University Gallery and Baring Wing |
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Tickets: |
£15 |
Available from: |
Call 0191 227 4424, in person at the Gallery, or download a booking form here: http://www.northumbria.ac.uk/universitygallery/studydays2012/ |
Additional Information: |
Study Days run from 11am to 3pm, with four lectures. Tea and coffee is served throughout the day. Lunch is not provided. Please contact the Gallery for more information. Full disabled access. |
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