HOW HOMER BECAME GREAT ART – THE ODYSSEY / PLAYING WITH NAUSICAA (BOOKS 6 & 7)

Homer’s Odyssey, one of the greatest epic poems ever written, tells its story as a film would, in non-stop episodes of action and flashback. Its pages are alive with the dramatic adventures of the Greek hero Odysseus (also known to us as Ulysses) who, ten years after the end of the war at Troy, has still not come home to the island of Ithaca. In fact, his life has been locked into a wandering voyage made thrilling by danger and enchantment in spectacular encounters with the elemental and supernatural worlds. Artists ever since have loved The
Odyssey with graphic energy and their imaginings illuminate the finest translations of this poem into English. Classical Art’s visions of the poem when it was new create exciting contrasts with paintings, watercolours and drawings by Pinturicchio, Titian, Brueghel, Rubens, Poussin, Claude Lorrain, Angelica Kauffmann, Fuseli, David, Turner, Ingres, Corot, Leighton, Waterhouse, Matisse, Chagall and di Chirico, and exquisite sets of illustrations by Flaxman and Flint.

Athena visits Nausicaa, princess of Phaeacia, in a dream and urges her to go to the river to wash clothes. There she meets the naked Odysseus, who has come ashore after surviving a storm at sea, and decides to take him home to the palace to meet her parents, King Alcinoos and Queen Arete. They agree to help him, not knowing who he is.

Register to tell a friend about this lecture.

Comments

If you would like to comment about this lecture, please register here.

©2003-2006 Niminim Limited. Created by

Any ad revenue is entirely reinvested into the Lecture List's operating fund